As I said in an earlier post regarding Gurdjieff's Daughter, Laura Marling's Short Movie was probably the best 2015 album I won't review in full.
The album, which found Marling adding all manner of eclectic and electric instrumentation to her normally placid acoustic sound, was the most musically dynamic of her career, and of the many strong tunes on the record, the urgent, insistent False Hope, its chaotic, emotional uncertainity wonderfully accented by a jarring, almost punkish rhythm guitar, was my absolute favorite.
The album, which found Marling adding all manner of eclectic and electric instrumentation to her normally placid acoustic sound, was the most musically dynamic of her career, and of the many strong tunes on the record, the urgent, insistent False Hope, its chaotic, emotional uncertainity wonderfully accented by a jarring, almost punkish rhythm guitar, was my absolute favorite.
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